1-A: SE-201 ECHO

Approximation of the classic Roland Space Echo on the “Reverb Only” setting.
Hold Modifier: Mix: Lo/Hi Toggle

1-B: 6G15 TANK

Approximation of the classic Fender spring reverb. Bright and splashy.
Hold Modifier: Mix: Lo/Hi Toggle

1-C: BX20 AKG

Approximation of the classic BX-20 unit. Dark and vibey.
Hold Modifier: Mix: Lo/Hi Toggle

2-A: VIBRO-SPRING

Spring reverb with a touch of vibrato on the wet signal. Retro goodness.
Hold Modifier: Mix: Lo/Hi Toggle

2-B: BROWN PANEL

Approximation of the classic brown panel Fender amps with harmonic tremolo.
Hold Modifier: Speed: Slow/Fast

2-C: BLACK PANEL

Approximation of the classic black panel Fender amps with optical tremolo.
Hold Modifier: Speed: Slow/Fast

3-A: JC-120 AMP

Approximation of the classic Roland Jazz Chorus amplifier.
Hold Modifier: Mix: Lo/Hi Toggle

3-B: LO-FI SPRING

As the title suggests, plain and simple.
Hold Modifier: Warble: On/Off

3-C: SPOOKY SPRINGS

Modulation ghosts in the spring tank again.
Hold Modifier: Decay: Short/Long

4-A: 1X4 SPKR

Emulation of playing thru a small 4in speaker.
Hold Modifier: Reverb: On/Off

4-B: 1X4 SPKR CMP

Now let’s compress the mess out of it. Little speaker + Distressor = big cool.
Hold Modifier: Reverb: On/Off

4-C: 1X4 SPKR CHR

A little bit of pitch modulation on each side and the indie kids are happy.
Hold Modifier: Reverb: On/Off

5-A: CLEAN TAPE

Pristine compressed tape deck vibes.
Hold Modifier: Reverb: On/Off

5-B: WARPED TAPE

Tape showing some sign of age, lovely little warble.
Hold Modifier: Reverb: On/Off

5-C: OLD TAPE

Older tape with all the wow and flutter.
Hold Modifier: Reverb: On/Off

6-A: FLUTTER

Cool flutter sound courtesy of the “Hazy” effect.
Hold Modifier: Reverb: On/Off

6-B: FLUTTER COMP

Cool flutter sound mega comp’d sounds even cooler!
Hold Modifier: Reverb: On/Off

6-C: SMOOTH FLUTTER

Softer, more lo-fi version of the “FLUTTER COMP” sound.
Hold Modifier: Reverb: On/Off

7-A: TREM-O-VERB

Nice ambient reverb with a stereo tremolo added.
Hold Modifier: Speed: Slow/Fast

7-B: HARM-O-VERB

Nice ambient reverb with a harmonic tremolo added.
Hold Modifier: Speed: Slow/Fast

7-C: SWIRLY BIRD

Nice ambient reverb with some LFO stereo goodness.
Hold Modifier: Decay: Short/Long

8-A: GARBLE

Chewed up and spit out.
Hold Modifier: Decay: Short/Long

8-B: LO GARBLE

Chewed up and spit out with a low octave.
Hold Modifier: Decay: Short/Long

8-C: HI GARBLE

Chewed up and spit out with a high octave.
Hold Modifier: Decay: Short/Long

9-A: TV’S BROKEN

TV’s on the fritz again… climb up on that roof and find some signal.
Hold Modifier: Warble: Hi/Lo Toggle

9-B: VHS REWIND

Be kind, rewind.
Hold Modifier: Mix: 100% Wet

9-C: AILISH

Message ChatGPT: Give me a sound to use on a Billy Eyelash song.
Hold Modifier: Mix: 100% Wet

10-A: THE SMEAR

Modulated and mid-boosted short plate verb.
Hold Modifier: Mix: Lo/Hi Toggle

10-B: THE DOUBLER

No reverb here… Just a doubler effect. Very QOTSA.
Hold Modifier: Lofi Toggle

10-C: THE SLAP

Slightly modulated slapback with either a short verb or a long verb behind it.
Hold Modifier: Decay: Short/Long

11-A: PARKED WAH

Filter emulating a half open wah pedal.
Hold Modifier: Mix: Lo/Hi Toggle

1A-B: SCREECH

Piercing top end with OD, clean gives you the Mark Speer vibes.
Hold Modifier: Decay: Short/Long

11-C: SHAKERATO

Short modulated reverb to make you shake your tail. Boogie on.
Hold Modifier: Mix: Lo/Hi Toggle

ADDITIONAL INFO

This collection is probably my favorite of the three. This Volume (aka SPRINGS N THINGS) is full of classic spring tones, fun Lo-Fi tones, some sounds that are becoming new classic for me. I find that I get a lot of use out of these sounds for many different styles of music and think there’s plenty of cool stuff in this pack no matter what you’re into. Crank them up or turn them down and let them be subtle… no wrong answers and lots of fun to be had with this one!

Additionally, you will also find that several sounds are not specifically centered around being a reverb, and in many cases, you can toggle the reverb on/off with the hold modifier. Having the ability to be more than just a reverb is one of the many things I love about the MX. In most cases, I don’t want a huge outer space reverb sound on top of my guitar, so the ability to use it as a compressor, vibrato, EQ, lo-fi machine, or anything else is really what makes this pedal so great for me.