1-A: STARBASE

General purpose cloudy / ambient reverb. Low mix.
Hold Modifier: Modulation: On/Off

1-B: FALCON I

General purpose cloudy / ambient reverb. Medium mix.
Hold Modifier: Modulation: On/Off

1-C: FALCON IX

General purpose cloudy / ambient reverb. High mix.
Hold Modifier: Modulation: On/Off

2-A: FALCON HVY

General purpose cloudy / ambient reverb. Higher mix.
Hold Modifier: Modulation: On/Off

2-B: STARSHIP

General purpose cloudy / ambient reverb. Highest mix.
Hold Modifier: Modulation: On/Off

2-C: DRAGON

General purpose cloudy / ambient reverb. 100% wet mix.
Hold Modifier: Modulation: On/Off

3-A: HOUSTON

General purpose churchy / hall reverb. Low mix.
Hold Modifier: Modulation: On/Off

3-B: COLUMBIA ’78

General purpose churchy / hall reverb. Medium mix.
Hold Modifier: Modulation: On/Off

3-C: CHALLENGER ’78

General purpose churchy / hall reverb. High mix.
Hold Modifier: Modulation: On/Off

4-A: DISCOVERY ’78

General purpose churchy / hall reverb. Higher mix.
Hold Modifier: Modulation: On/Off

4-B: ATLANTIS ’78

General purpose churchy / hall reverb. Highest mix.
Hold Modifier: Modulation: On/Off

4-C: ENDEAVOR ’78

General purpose churchy / hall reverb. 100% wet mix.
Hold Modifier: Modulation: On/Off

5-A: STUDIO PLATE ‘78

You guys want that nice studio sound?
Hold Modifier: Tank Mod: Hi/Lo

5-B: LONG PLATE ‘78

Long and lush plate reverb. Very pretty.
Hold Modifier: Tank Mod: Hi/Lo

5-C: 80’S PLATE

Studio plate reverb with a big stereo chorus on it. Top Gun certified.
Hold Modifier: Decay: Short/Long

6-A: SOFT HALL

My preferred sound from the “78 Hall” algorithm.
Hold Modifier: Tank Mod: Hi/Lo

6-B: BOUNCY HALL

Low diffusion lets us hear those reflections.
Hold Modifier: Tank Mod: Hi/Lo

6-C: INFINITY HALL

When you don’t lift up on the sustain pedal.
Hold Modifier: Tank Mod: Hi/Lo

7-A: SHIMMER LO

Classic shimmer sound. Low mix.
Hold Modifier: Filter: Freq Adj.

7-B: SHIMMER HI

Classic shimmer sound. High mix.
Hold Modifier: Filter: Freq Adj.

7-C: SHIMMER MOD

Classic shimmer sound with a touch of modulation added.
Hold Modifier: Filter: Freq Adj.

8-A: LATCHPAD

Big ambient pad maker.
Hold Modifier: Freeze: On/Off

8-B: LATCHPAD WARBLE

Big ambient pad maker with modulation.
Hold Modifier: Freeze: On/Off

8-C: LITTLE LATCHPAD

Big ambient pad maker but lo-fi.
Hold Modifier: Freeze: On/Off

9-A: REVERSE ECHO

Reverse delay into reverb.
Hold Modifier: Mix: 100% Wet

9-B: REVERSE LOFI

Lo-fi reverse delay into reverb.
Hold Modifier: Mix: 100% Wet

9-C: REVERSE OCTAVES

Reverse delay into reverb with a smooth octave up sound.
Hold Modifier: Mix: 100% Wet

10-A: VB-2 VERB LO

Who doesn’t love a good vibrato? And the VB-2 is king but what if you don’t have one, or there’s not enough space on your board? Well you don’t have to go without.
Hold Modifier: Reverb: On/Off

10-B: VB-2 VERB HI

The vibrato in this pedal is really great and gets in that ballpark for sure.

Hold Modifier: Reverb: On/Off

10-C: VB-2 VERB SLO

Here are my 3 most used settings.
Hold Modifier: Reverb: On/Off

11-A: SG-1 SLO

Boss slow gear style auto swell. Slow speed.
Hold Modifier: Warble: On/Off

11-B: SG-1 FAST

Boss slow gear style auto swell. Fast speed.
Hold Modifier: Warble: On/Off

11-C: SG-1 VERB

Boss slow gear style auto swell. Swell applied only to reverb!
Hold Modifier: Warble: On/Off

ADDITIONAL INFO

If I’m known for anything, it is likely my work in the church music genre and as such I figure there’s probably a number of folks who are really only interested in the sounds I’d use specifically for that kind of music. This Volume (aka CHVRCHKID) is a collection of 33 presets including all of my main reverbs for Sunday morning tone as well as some others that just play nice and would be useful in a church setting. Now, there’s plenty of sounds I use from other groups when playing church music, but these make the most sense to me as a group offering. If you just want the church tones and don’t want to chance not digging all the other stuff, this is the pack for you buddy.

Additionally, you will also find that several sounds are not specifically centered around being a reverb, and in many cases, you can toggle the reverb on/off with the hold modifier. Having the ability to be more than just a reverb is one of the many things I love about the MX. In most cases, I don’t want a huge outer space reverb sound on top of my guitar, so the ability to use it as a compressor, vibrato, EQ, lo-fi machine, or anything else is really what makes this pedal so great for me.