1-A: INNER STORM
We all know KP is the king of lo-fi psychedelic guitars.
Hold Modifier: Reverb: On/Off

1-B: PARKERS MISCHIEF
Yea… still the king. And this song is just the best.
Hold Modifier: Reverb: On/Off

1-C: CURRENT NAGS
Ok it’s not lofi but c’mon man…. Pretty cool stuff
Hold Modifier: Freeze: On/Off

2-A: BRIGHT ROOM
Room mic vibes… nice bright room.
Hold Modifier: Mix: Lo/Hi Toggle

2-B: DARK ROOM
Room mic vibes… subtle dark room vibes.
Hold Modifier: Mix: Lo/Hi Toggle

2-C: DRUM ROOM O.H.
Oldest trick in the book. Doors open, listening thru the drum overheads.
Hold Modifier: Mix: Lo/Hi Toggle

3-A: MOONCAVE
Big ambient reverb shifted down a whole octave.
Hold Modifier: Freeze: On/Off

3-B: MOONCAVE WARBLE
Big ambient reverb shifted down a whole octave. Added warble. Oxygen depleted.
Hold Modifier: Freeze: On/Off

3-C: MOONCAVE RADIO
Man this cave is huge… who left their radio in here?
Hold Modifier: Freeze: On/Off

4-A: LFO PULSE SLO
LFO controlling a filter. Slow rate.
Hold Modifier: Reverb: On/Off

4-B: LFO PULSE FAST
LFO controlling a filter. Fast rate.
Hold Modifier: Reverb: On/Off

4-C: ENV PULSE
Envelope controlled filter.
Hold Modifier: Reverb: On/Off

5-A: DI MILANO
A classic cathedral type reverb.
Hold Modifier: Tone: Bright/Dark

5-B: VALERE BASILICA
Because I refuse to use my POG for an organ sound.
Hold Modifier: Filter: Freq Adj.

5-C: OBSERVATORY
Big cathedral reverb with SLOW modulation. Look up at the stars.
Hold Modifier: Mix: Lo/Hi Toggle

6-A: GRAB THAT
Squishy end of chain compressor.
Hold Modifier: Reverb: On/Off

6-B: DIRTY COMP
Dirty end of chain compressor.
Hold Modifier: Reverb: On/Off

6-C: HARD CEILING
End of chain limiter.
Hold Modifier: Reverb: On/Off

7-A: CE-1 CHORUS
Emulation of the first chorus. Left side modulated.
Hold Modifier: Reverb: On/Off

7-B: 80’S MICRO PITCH
Emulation of the H3000 classic… +9 -9.
Hold Modifier: Reverb: On/Off

7-C: VINTAGE HUFFY
Double up on the chorus like the great Dan Huff. Maximum 80’s.
Hold Modifier: Reverb: On/Off

8-A: LOST MEMORY
Dark MM style delay all modulated with a long tail. Sometimes the best verb is delay.
Hold Modifier: Reverb: On/Off

8-B: METROPLEX
Echoplex style tape delay.
Hold Modifier: Reverb: On/Off

8-C: ELL-3000
All the streets are cracked and there’s glass everywhere.
Hold Modifier: Reverb: On/Off

9-A: ECHOWRECK
Emulation of the Binson Echorec. Short and dirty.
Hold Modifier: Reverb: On/Off

9-B: STIGA
Classic ping-pong delay.
Hold Modifier: Reverb: On/Off

9-C: PING POG
Classic ping pong delay but up an octave. Hold Modifier gets siiiiick.
Hold Modifier: Delay: Short/Long

10-A: 8TH.STACKER
For use with an eighth note delay. Input BPM for best results.
Hold Modifier: Reverb: On/Off

10-B: CLN.DOT.STACK
For use with a dotted eighth note delay. Input BPM for best results.
Hold Modifier: Reverb: On/Off

10-C: REVERSE.STACK
BC who doesn’t love a reverse on top of a standard delay? Input BPM for best results.
Hold Modifier: Reverb: On/Off

11-A: LO.DBL
I love using a lower octave to double parts up hi. This one is all cool and wobbly.
Hold Modifier: Reverb: On/Off

11-B: LO.LOFI.DBL
A low fidelity version of the previous for a bit of character.
Hold Modifier: Reverb: On/Off

11-C: PANMAN
If anyone can, the pan man can. Soundtoyz vibe.
Hold Modifier: Reverb: On/Off

ADDITIONAL INFO

Here are 33 incredible sounds that complete the trilogy. This Volume (aka KITCHEN SINK) is full of surprises—some beautifully straightforward tones and a few adventurous ones that push boundaries. You’ll find a variety of room reverbs, delays, compressors, choruses, and more. It’s a collection designed for exploration, so scroll through and let the inspiration hit. You never know what sound will become your next go-to!

Additionally, you will also find that several sounds are not specifically centered around being a reverb, and in many cases, you can toggle the reverb on/off with the hold modifier. Having the ability to be more than just a reverb is one of the many things I love about the MX. In most cases, I don’t want a huge outer space reverb sound on top of my guitar, so the ability to use it as a compressor, vibrato, EQ, lo-fi machine, or anything else is really what makes this pedal so great for me.